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Walter Tetley (June 2, 1915 – September 4, 1975) was an American voice actor, was a child impersonator in radio's classic era, with regular roles on ''The Great Gildersleeve'' and ''The Phil Harris-Alice Faye Show'', as well as continuing as a voice-over artist in animated cartoons, commercials, and spoken-word record albums. He is perhaps best known as the voice of "Sherman" in the Jay Ward-Bill Scott ''Mr. Peabody'' TV cartoons. ==Early career== Tetley was born Walter Campbell Tetzlaff to a Scottish-born mother, Jessie Smith Campbell, and father Frederick Tetzlaff who was born in New York of German parents. Tetley was a precocious performer even when he really was a child, beginning at age seven performing Harry Lauder imitations. He established himself in radio, usually playing smart-aleck kids. Tetley moved to Hollywood in 1938 and acted in a number of films (he is the wisecracking messenger or pageboy in several Universal Pictures comedies), but radio was his truest metier. Walter Tetley's perennially adolescent voice was the result of a medical condition. While this has been cited as a hormonal problem, one of Tetley's employers, Bill Scott, offered a more specific explanation. According to Scott, Tetley's mother was reluctant to give up the revenue generated from her son's busy radio career and, in Scott's words, "She had him fixed. Walter Tetley, the world's tallest midget." (Pre-puberty castration as a means to further one's voice career was a tactic not seen in Western society since the ''castrato'' phenomenon of 18th century Italy.) Whatever the medical reason, the condition arrested Tetley's development, preventing his voice from breaking into maturity as well as preventing his further physical growth. Tetley would sound forever as though he was stranded on the bridge between childhood and teenage adolescence. Combined with his excellent delivery and spot-on comic timing, he parlayed his condition into a radio career that lasted nearly a quarter of a century, with some of radio's biggest stars including Tetley in their shows, including but not limited to Fred Allen, Jack Benny, W.C. Fields and others. Fans of vintage radio remember Walter Tetley best for two roles. He was cast to play spunky nephew Leroy on ''The Great Gildersleeve'', beginning in 1941. (Leroy's "Ah, you kiddin'?" and "Aw, for corn's sake!" became almost as much of a pair of show catch-phrases as the title character's booming trill, "Leeee-rooooy!") Tetley stayed with that role for just about the entire life of that show, voicing Leroy in and out of jams from making nitroglycerin with his home chemistry set to helping Uncle Gildersleeve (Harold Peary) break out of the public library into which they got locked accidentally, after hours. The bad news: his unique appearance and true age obstructed him from playing the shorter, younger Leroy in the four ''Gildersleeve'' feature films (though he did appear in a speaking role as a bellhop in the third of those films, 1943's ''Gildersleeve on Broadway''). But Tetley might have been an even bigger hit beginning in 1948, when he took on a concurrent continuing role on an equally popular comedy, playing obnoxious grocery boy Julius Abruzzio on ''The Phil Harris-Alice Faye Show'' until the show's finish in 1954. (Surviving episodes that include pre-air audience warmups by Phil Harris usually included Harris alluding to Tetley as "the kid who steals the show every week"—even though Tetley was almost 40 years old when the Harris-Faye show ended production.) Julius combined an obsession with getting the better of his clumsy elders Phil and Remley to an unconcealed crush on Alice and was as much a fixture on the show as Harris's in-character malapropping vanity and Faye's tart but loving earthiness. He also played minor roles, such as a boy in a drugstore in the radio drama ''Dr. Christian'' (1937–1939). An example is in the "Dog Story" episode. "I wondered what a radio show would be like if the audience could see the actors on stage," Tetley was quoted as saying once about his radio work. "But then they couldn’t be allowed to read scripts. It would be like a movie. That wouldn’t be any good. Radio would then be the same as movies." To the same interviewer, Tetley admitted that adulthood in the body of a child troubled him enough, finding it difficult for many years to make adult friends or even to assert himself to his own family. But he finally made peace with the dichotomy, accepted himself, and distinguished between his meal ticket and his self successfully. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Walter Tetley」の詳細全文を読む スポンサード リンク
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